At night, my daughter whispers of her friends’ vacations to Portugal, Iceland, Barbados.
“How about…Canada?” I whisper back.
I’m still unemployed.
“How about high tea, a ferry ride, just you and me?”

No Poem Is the Only Poem. No Story Is the Only Story.
At night, my daughter whispers of her friends’ vacations to Portugal, Iceland, Barbados.
“How about…Canada?” I whisper back.
I’m still unemployed.
“How about high tea, a ferry ride, just you and me?”
I had been reading Haiku for five years before moving to Japan. Bashō, Issa, Buson…their work hovered in my margins like birds outside a window: elegant, distant, beautiful. I read their poems with reverence, but from a certain remove, as one might admire a bonsai in a museum case.
The way I tend to write is less about beginning with a clear argument and more about paying attention to small moments until they begin to suggest something larger.
The afternoon I was supposed to sign my employment contract, I walked out the company doors, resolved never to return.
The lights flashed in the rearview mirror. Red and blue filled every inch of space. I looked over at my roommate, Sonya. We were driving home after a night of partying in Coconut Grove. It was Sonya’s last day in Miami, where we were freshmen at Florida International University.
And again and now, I will try and reason with the mirror.