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	<title>Ted Morrissey &#8211; Litbreak Magazine</title>
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	<description>No Poem Is the Only Poem. No Story Is the Only Story. It&#039;s Just One Planet. But There Are Many Stories. </description>
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		<title>The Artist Spoke</title>
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		<dc:creator><![CDATA[Ted Morrissey]]></dc:creator>
		<pubDate>Mon, 13 Apr 2020 10:37:00 +0000</pubDate>
				<category><![CDATA[Fiction]]></category>
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					<description><![CDATA[Now, he didn’t feel alone in this frenetic crowd thanks to Beth’s presence. Yet he experienced a kind of pre-aloneness, pre-grief at their soon-to-come separation. He’d tried to intellectualize himself beyond it. He’d tried to articulate the absurdity of the situation: the absurdity of falling in love with her, of having fallen in love in the space of only a few hours.]]></description>
		
		
		
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		<title>Ted Morrissey’s Autobiographical Statement</title>
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		<dc:creator><![CDATA[Ted Morrissey]]></dc:creator>
		<pubDate>Mon, 13 Apr 2020 10:30:00 +0000</pubDate>
				<category><![CDATA[Essays]]></category>
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					<description><![CDATA[Those are overt examples of Mary Shelley’s influence, but I know she and her creations seep into my narratives in all kinds of strange ways. Only recently have I recognized that even my current novel in progress, “The Isolation of Conspiracy,” from which “The Artist Spoke” is excerpted, owes a great deal to her.]]></description>
		
		
		
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