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	<title>Colm Fahy &#8211; Litbreak Magazine</title>
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	<description>No Poem Is the Only Poem. No Story Is the Only Story. No Kings.</description>
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	<item>
		<title>Rhodes to Rebirth</title>
		<link>https://litbreak.com/rhodes-to-rebirth/</link>
		
		<dc:creator><![CDATA[Colm Fahy]]></dc:creator>
		<pubDate>Tue, 09 May 2017 12:00:39 +0000</pubDate>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Colm Fahy]]></category>
		<category><![CDATA[James Rhodes]]></category>
		<category><![CDATA[Palais Garnier]]></category>
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					<description><![CDATA[My encounters with classical music through the ages (it feels like it, right!) have been a sort of muddle of awe and motor way-pile up.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2685</post-id>	</item>
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		<title>Bar Bahar &#8211; Everything but In Between</title>
		<link>https://litbreak.com/bar-bahar-everything-but-in-between/</link>
		
		<dc:creator><![CDATA[Colm Fahy]]></dc:creator>
		<pubDate>Tue, 28 Feb 2017 14:00:15 +0000</pubDate>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Bar Bahar]]></category>
		<category><![CDATA[Colm Fahy]]></category>
		<category><![CDATA[Film Review]]></category>
		<category><![CDATA[Israeli Film Council]]></category>
		<category><![CDATA[Maysaloun Hamoud]]></category>
		<category><![CDATA[Palestinian women]]></category>
		<category><![CDATA[Tel Aviv]]></category>
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					<description><![CDATA[In a recent interview in the Spanish press, Maysaloun Hamoud sighs with exasperation – “Why would anybody think the characters, who are out partying and having a good time, are trying to escape -just because they drink and take drugs”. She protests. “The protagonists are young, that’s life, life in Tel Aviv.”]]></description>
		
		
		
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		<title>Tackling Monsters – Foster takes on Big Business in timely financial tale of our Times</title>
		<link>https://litbreak.com/tackling-monsters-foster-takes-on-big-business-in-timely-financial-tale-of-our-times/</link>
		
		<dc:creator><![CDATA[Colm Fahy]]></dc:creator>
		<pubDate>Tue, 13 Dec 2016 15:52:12 +0000</pubDate>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Colm Fahy]]></category>
		<category><![CDATA[George Cooney]]></category>
		<category><![CDATA[Jodie Foster]]></category>
		<category><![CDATA[Julia Roberts]]></category>
		<category><![CDATA[Money Monster]]></category>
		<category><![CDATA[movie review]]></category>
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					<description><![CDATA[Jodie Foster has been around a while, but unlike many (nay! the majority) of her artist predecessors, contemporaries and, indeed, imitators, Foster is both surrounded by and imbued with compelling enigma, whether it is through her private life (not so concerning for us), her choice of film as an actor, or the subject matter of her directorial material. ]]></description>
		
		
		
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