The river warden stood submerged up to his waist in the mid-stream, where the braiding sinews of a syrupy undercurrent had relaxed to create a skewed ellipse of near-motionless water. After many years on the river he found that he could easily spot these dead zones within the slowly-circulating continuity that eased itself interminably between the banks.
Mark Sadler’s When We Fell in Love
The American Beat writers circled back into fashion in the UK during the late 1980s / early 1990s. Their resurgence coincided with a spike in the counterculture that was perhaps a reaction to the grind of over a decade of conservative leadership and Thatcher-ism.