Moonlight: A Film by Barry Jenkins

There really couldn’t be any simpler film than Moonlight – a young man named Chiron comes of age in a poor section of Miami. Yet, to signal just how perceptive and multilayered this film will be, director Barry Jenkins opens with a power move: an extended long take in which the camera never sits still, circling the actors like an anxious lion. It’s an amazing display of bravura directing, made even more potent when echoed later in the film at a crucial plot point. But it’s also Jenkins’s wake-up clap to the audience. For despite the film’s low-key tone, aided by such impressive, just downright beautiful camerawork, Moonlight is a revelation of nuanced characters and plot and exposition.

Pooch

We, Pooch and I, for those few moments, lived in two different temporal worlds; I was not just astounded by his speed, I was deeply disoriented, so much so that at first I felt no pain. At first.

Longing

I go home to Pune, filled with wistful anticipation tinged with dread. As we hold hands and walk down the streets we once loved, the changes are all around us.